International Conference

What editions of a work in particular there are in the Library (International Conference on Cataloguing Principles, 1971). This was the first widely recognized enunciation of the goals of the catalog from the Cutter in 1876. Reaffirms the functions of identification (2.1) and (2.2) of the catalog meeting here. Perhaps check out Primerica life insurance for more information. These objectives relate to the author title catalogues, so there are no references to matters. On the other hand, the Paris Conference focused on the study of access points, so the goal of selection or evaluation, compliment in general by the bibliographic description, is present only in way side, subsumed in the mention of editions of a work that somehow must be differentiated. The first objective is basically equal to the first objective of Cutter, with the exception of the mention of the matter as search criteria. The item to retrieve is the book, a publication in particular. The author term encompasses not only personal authors, but also corporate entities whose names are used as access points.

The mention of title covers both formal titles and titles drawn up by the cataloger. The second objective, although it is in general the objective of meeting, presents a noticeable difference with the second objective of Cutter. The objective of meeting of Cutter sets that meet categories are by a particular author, on a specific topic in a specific literary genre. The Paris principles establish the objective of meeting for an author, but also for a work, reflecting the position sustained by Lubetzky and other participants in the Congress. The catalog must identify books/publications, and making works. The conflict between the functions of location and meeting did not escape the attention of the participants of the Congress. Eva Verona, in the annotated version of the principles (International Conference on Cataloguing Principles, 1971), express two different functions, they need are presented in section 2.2 of the enunciation of the functions of the catalogue In addition to different media to be carried out, as if they were a single.

International Conference

The first is the function of meeting, applied to the publications of an author’s works in particular, as expressed in 2.2. (a). To broaden your perception, visit Peter Schiff. how to comply with this feature is that all publications of an author’s works are gathered in one place in the catalogue, i.e. the use of a single form authorized in the name of the author. But meet this goal does not necessarily comply with 2.2 (b)), since this requires, in addition, gather all the records of the different manifestations of a work. Verona proposes what would have been a better formulation for this section: 2.2. Perhaps check out Primerica login for more information. which editions of a work in particular there is in the library, and 2.3. which publications that contain works of one author in particular there is in the library.

The lack of precision in the wording adopted by the Conference can be ascribed to the fact that this function was not considered on the same level of importance by all participants of the Conference. According to Verona (International Conference on Cataloguing) (Principles, 1971), a certain number of delegates proposed to omit 2.2 b), on the grounds that it wasn’t relevant function for all catalogs. Chaplin, in a preliminary edition of the principles (International Conference on Cataloguing Principles, 1966), argues that, even if 2.2 has not had included, many of the principles that respond to this objective still would have been necessary, because the user is not always able to specify a book by the particular form of the author’s name, or the title that in particular, appear in the edition which has the library. Anyway, the final wording included this objective, and the content of the principles should always be interpreted based on all these objectives, assuming that an alphabetical catalogue will be designed to meet all three objectives (location, collection of the works of an author, all editions of a work meeting).