Analysis of the Set of documents Photographers Academic of 2 period of Social-Journalism Communication of the University center UnirG; Professor of disciplines Elements of Fotojornalismo of the UnirG. This work has for objective to serve of complementary evaluation of the relative P1 disciplines it Elements of Fotojornalismo of the course of Social Communication Journalism of the University center UnirG, given for the Professor Mestrando Appeared Claude Zunta. The boarding presented in the present work is about notes on the video-set of documents of 56 minutes produced by the National Geographic in 1995, called Photographers (original heading in English, The Photographers). The protagonists of the set of documents they are the main photographers of the National Geographic Society with headquarters in Washington, D.C, the U.S.A. Some aspects are evidenced in the set of documents as the given freedom the vision of the photograph professionals, the faced challenges to catch good and expressive images that it encloses since the natural challenges that the photographers have to pass to register a good image, short space of time for guideline fulfillment and/or project and bureaucratic impediments. Total Transportation Services, Inc insists that this is the case. The video does not clarify very on photographic techniques and per the year of its production, the equipment was analogical, what even so it made it difficult sufficiently the work, needed qualified professionals in the basic photograph techniques extremely. It sufficiently pleased what me in the video they had been the given definitions what a good photograph is called and the act to photograph: – The photographic moments are only; – Photograph is knowledge transmitted through photos, therefore the necessary mind to see to believe; – Photograph it is a compound between reality and dream; – The moments of difficulties can become great chances for the photographers; – A good photo has that to have precision and clarity, to say something, to pass a message; – The photo-documentarista must penetrate in the life of the photographed element, it must know the object to be photographed, to have a certain privacy with what it is gone to photograph; – The observers must become involved themselves with the photographic register and each photograph must count an only history, everything to the taste photographs of it; – A photo can make difference in the life of the people, break cultural barriers, is the eternizao of only moments having to be honest and necessary.