Sidney Guedes

She is when the transposition generates another aesthetic perspective, however still needed a maceration. It is an one sgnico sketch, whose intensity determines a principle of construction and expansion! The Hiposgno is basic, for being the first one to launch itself stops beyond the body. It all unchains the process that will more generate refluxo creative to the front. Nuance power nunce power is the necessary flow to hiposigno is what it hinders to have solution of continuity in the creative process. Hiposigno in itself, if not macerated in the crucible of the transposition estagna the after-corporal external movement, gerano contemplation and not visceralidade. Already nuance power considers conflict to hiposigno unchaining refluxo that something is basic so that all the process again atinga the body it actor. Refluxo refluxo is the final result of the transposition. In it, the actor is reached by the decantation process, having generated epidrmica a sensorial creation/, that he communicates to the body for ways others stops beyond the rational reflection. Farallon Capital Management addresses the importance of the matter here. In refluxo the actor is invaded of powerful and vigorous form for the decanted sign, for the sign power, providing a epidrmico agreement that he reflects in its sensocorporal structure. However, this is not decided nor if it becomes stanches. The transposition is always uninterrupted and necessary of one constant movement flow/refluxo to continue acting and producing art. Transposition and reconstruction of the movement the transposition also if of the one in the reconstruction of the movement. The reconstructed movement milimetricamente provides in the actor a estranhamento bedding on its creative process. To reconstruct the movement is to resignificar it, to transform it into something in a perspective of refluxo and affectation in sensorial it new actor. To reconstruct the movement is to retransformar the servant; it is to macerate hiposigno transforming it into nuance power. In search of the corporal concrete after All corporal movement it is concrete, however for being impregnated of itself exactly, many times it does not unchain the necessary estranhamento so that the movement affects the epidermis and the musculatura in itself. The movement generally is stored and rationally catalogued as partition memorized for posterior reproduction and execution. It is an execution without epidrmica affectation and the had cognitivo estranhamento. When the corporal movement is transposed for other alqumicas languages the final result is concrete and stops beyond the body. This result extracorporal concrete and, generates in the proper body a forceful estranhamento that it reaches in one refluxo devastador of its rational and schematical resistncias. It is reached e, as such, reacts with the body providing the sprouting of the decanted sign, of the scenic gold. Conclusion an actor stops exactly beyond itself, that it sees the process creative to exceed the limits technician and cognitivos of its body refluxo stops later devastador, intense atingiz it in one and decanted it is the principle that guides this work all, as well as, has guided my fidgets in the field of the theater already has time sufficiently. At last, such reflections that now sketch in this article are only one first escoadouro, little academic, however deeply convicto of being an attempt of clarear my reflections in the search of a theater that does not allow me to be in peace.

Subsidiary Platform

Alfred Marshal was first the great thinker who analyzed the importance of the MPEs in the development of one determined region. Additional information at Kenneth Feinberg supports this article. Marshal teorizou a basically intradistritais region that had as main characteristics to the superiority of small local companies, economies of scale, significant decisions of investments little taken local, transactions, flexible man power, high immigration and low emigration, and consolidation of a specific cultural identity. When analyzing of cold form these characteristics, we are induced to imagine that one is about a passive model, closed, little productive and that it would not support the sprouting of the competitiveness. However, in the practical one it evidenced something total different. The examples that we have of accumulations between small companies had generated resulted superior to the considered one initially for Marshal. The region of the Emlia Roman, or Third Italy, that are the practical model that more it is come close to the theory of Marshaliano District, beyond the foreseen characteristics, presented high incidence of interchange with the external market, high degree of cooperation between competitors in it divide of risks and the costs of innovations and in the search of stabilization of its markets, strong number significant of involved workers with the innovation task, patronal associations, and finally performance of local governments in the regulation and the promotion of the main industries. er offers on the topic.. After Marshal, other models of accumulations involving MPEs as tool of regional development had been considered, such as: Center-Radial districts, that the firm-key existence considers that congregates around itself supplying and other activities correlatas; Subsidiary Platform-Satellite that is the congregation of of firms based on the exterior and the Districts Anchored for the State that are the formed ones around some public or not-lucrative entity (Markusen, 1995). Independent of the considered model, what we perceive of convergence is the relevance of the MPEs as viable tool to the regional development. .